Presence

Shelley Wildeman


As a continuation from the Times Three series, colour shots are layered on each other to create one view of several moments – almost like a mini-movie in still form, exploring the compression of time. Each scene has its own colour skew: the Harbourfront is beautifully blue, the late afternoon workers strolling home in Ueno is golden yellow, and the JR Station is steely greenish-grey.